What is your job?

mentioned in…

They say about us…

“Incorporating prevention and optimisation of the performance in theatre is an essential duty we all need to work on. We should all realise once and for all that we need to have a good relation of peace, tranquility and understanding with our body. The information and training that they have provided me with has been an awakening to something I already suspected. I have discovered that I need to go back to work on that again.”

Carmelo Gómez, actor.
"Cuando me fracturé el dedo meñique, no me podía imaginar que iba a mejorar el potencial físico y técnico de mis manos, hasta el punto que me ha guiado Ana Velázquez. Con ella he descubierto nuevas formas de desarrollar fuerza en mis dedos y a tocar el piano en una posicón más correcta, su guía ha sido fundamental para mi recuperación."

Chano Domínguez, pianist.
"Cuando acudí a CPAE por el dolor crónico que tenía en el codo ya conocía a Ana Velázquez del mundo del teatro, sabía que ella entendería mi preocupación por resolver este problema, lo que supone el dolor en el cuerpo de un bailarín y la falta de rendimiento. Por esta empatía y profesionalidad en el tratamiento, sus explicaciones y aclaraciones sobre las posibles causas de la lesión sigo confiando en CPAE ahora ya como alumna en los cursos formativos para bailarines y esperando no lesionarme mucho más."

Susana Larriba Adell
Dancer, choreographer and dance teacher
“The musician is like an elite athlete and, as such, the injury risk is very high. The training I received from the course on playing-related injuries was really helpful to analise each gesture of the musician and achieve his or her quickest possible rehabilitation. What's more, this course has also enabled me to teach the musician how to improve his or her technique depending on the instrument, avoiding a possible relapse and winning more efficiency.”

Isaac Gomar, physiotherapist. Valencia.